The behaviors imposed by society are but a veneer surrounding the darkness, a saving illusion hollow at the core. The darkness is the truth. It stands in silent righteousness, the background that reveals the foreground. And no human fabrication can supplant it with the dustbin of progress. Actualize industrial collapse. We've stolen fire from the gods to raze their concrete tombs. We've cried our sorrows to the wind and the earth. And the pines stretch upwards, Nature's fingers straining towards the sky. They will reach out and pull down every ivory tower, destroying the elite, and returning arcane knowledge and lore to all. Now we can remove our masks and seek out vengeance, a saboteur in every occupation and a wrench in every machine. Remove your masks and find vengeance. Outside the walls of civilization lies a wilderness beyond belief and without end.
credits
from Rendon,
released November 29, 2013
Originally from Our Enemy Civilization, a split 12" with Salome released in 2009 by Vendetta. Recorded by James Whitten in various practice spaces at "The Maze" on Rendon Street in New Orleans in a marathon weekend in January 2009.
supported by 187 fans who also own “The Song of Illuminate Darkness”
never been a big death metal fan but this is actually super accessible for the genre, has fun concepts, and personally i'm always a fan of albums with short tracklists and huge runtimes (for individual songs) Great time, good jumping on point for newbies too. alienasu
A fantastic debut showing from Baltimore metal band Born of Plagues, uniting post-metal's expansive textures with sludge's almighty muck. Bandcamp New & Notable May 19, 2021
Five veterans bashing out their own new version of post-hardcore; world-weary perspective, fresh, urgent, crackling with feeling. Bandcamp New & Notable Jun 13, 2017
supported by 180 fans who also own “The Song of Illuminate Darkness”
Comme Satan Worshipping Doom et Miserable, Terminal est un album qui vraiment toute son ampleur quand il est écouté d'une traite car il s'agit d'une lente agonie qui s'étend sur presque trois-quarts d'heure. Les sonorités psychédéliques propres à Bongripper sont absentes et le stoner/doom metal du quartette tend plutôt vers une sphère atmosphérique (certains arpèges de "Slow" ne sont pas éloignés de celles de Earth) voire funéraire et la mort finit par s'imposer comme la seule évidence possible. Jordan Vauvert