Through a boggy haven was cut a swath three miles long. Into it you dumped tar and concrete, hate and fear. Standing so tall, even Death would tremble to take you. Running shoulder to shoulder with lions and wolves. But you're nothing. A pack of liars. Fakers. Cowards. Trapped now forever in this ghost town. Shambling spectres haunting these streets. Boundaries not set by concrete and bars--boundaries are set by neighborhoods and bars. You are paralyzed by apathy and cloaked in jaded elitism. Your wasted potential surrounds me, binds me, suffocates me. I yearn to retreat from your fortresses of bloated excess. My ears fall deaf to your stammering quips and shrill complaints. We stand eternal on the cusp of something great destined to always fall short. Decimation may be our only saving grace. Or will we stand eternal?
credits
from Rendon,
released November 29, 2013
Originally from Baton Rouge, You Have Much to Answer for, a 12" EP released in April 2010 by Robotic Empire. Recorded by James Whitten in various practice spaces at "The Maze" on Rendon Street in New Orleans in a marathon weekend in January 2009.
supported by 187 fans who also own “By Every Hand Betrayed”
never been a big death metal fan but this is actually super accessible for the genre, has fun concepts, and personally i'm always a fan of albums with short tracklists and huge runtimes (for individual songs) Great time, good jumping on point for newbies too. alienasu
A fantastic debut showing from Baltimore metal band Born of Plagues, uniting post-metal's expansive textures with sludge's almighty muck. Bandcamp New & Notable May 19, 2021
Five veterans bashing out their own new version of post-hardcore; world-weary perspective, fresh, urgent, crackling with feeling. Bandcamp New & Notable Jun 13, 2017
supported by 183 fans who also own “By Every Hand Betrayed”
Comme Satan Worshipping Doom et Miserable, Terminal est un album qui vraiment toute son ampleur quand il est écouté d'une traite car il s'agit d'une lente agonie qui s'étend sur presque trois-quarts d'heure. Les sonorités psychédéliques propres à Bongripper sont absentes et le stoner/doom metal du quartette tend plutôt vers une sphère atmosphérique (certains arpèges de "Slow" ne sont pas éloignés de celles de Earth) voire funéraire et la mort finit par s'imposer comme la seule évidence possible. Jordan Vauvert